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Chamber
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ETHELFriday, September 4, 8:00 p.m., $15 ETHEL’s “high octane” artistry straddles the arenas of classical chamber music and contemporary work, moving smartly and confidently from Bang on a Can marathons and BAM’s Next Wave Festival to the Grand Canyon Music Festival and the recent gala reopening of Lincoln Center’s Alice Tully Hall. In the same creative mold as Kronos and Turtle Island, the group modulates traditional string quartet instrumentation into creative textures with amplification and sampling. Fiercely eclectic in their palette, they mix and mingle forms of the traditional Western canon with world music, jazz, and occasional rock and funk. “ETHEL created a world in which classical music had never grown distant, a world in which it was as fresh and direct as crowds dancing in the street.” —The Wall Street Journal |
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Orpheu |
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Chamber Music Society of Lincoln Center Friday, November 13, 8:00 p.m., $20 Building upon last December’s thrilling CMSLC program of baroque concertos, we welcome this mixed repertory program of seasoned classics and new creations. Pianist Gilbert Kalish leads an all-star septet of players in a fascinating program anchored by two stellar works of grand scale: the brand new Septet by Argentine-born Mario Davidovsky, commissioned a year ago by the Chamber Music Society, and Franz Schubert’s magical “Trout” Quintet. Trios by Beethoven and Camille Saint-Saens complete the program, showcasing the talents of violinist Arnaud Sussman, flutist Tara Helen O’Connor, cellist Fred Sherry, clarinetist José Franch-Ballester, and violist Paul Neubauer. |
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Brentano String Quartet Wednesday, March 31, 8:00 p.m., $18 Critics and audiences alike are enthralled by the Brentano String Quartet. “Passionate, uninhibited and spellbinding” raves the London Independent, while The New York Times extols its “luxuriously warm sound [and] yearning lyricism.” Since winning the prestigious Naumburg Prize and the inaugural Cleveland Quartet Award in the mid-1990s, the Brentano has been a fixture at cultural centers throughout the world. All four players—violinists Mark Steinberg and Serena Canin, violist Misha Amory, and cellist Nina Lee—maintain busy musical careers as soloists and chamber music collaborators, favored by such artists as Mitsuko Uchida, Jessye Norman, and Richard Goode. As pioneers in adventurous programming, they bring to the Williams Center the brand new Night Songs for a Desert Flower by Stephen Hartke (whose Brandenburg Autumn was premiered at Lafayette by Orpheus in 2007), set between two of Franz Schubert’s most enduring works—the gem-like Quartetsatz and the towering G Major Quartet. |
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last
updated July 22, 2009
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