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In Goya's greatest scenes we seem to see
the people of the world
exactly at the moment when
they first attained the title of
'suffering humanity'
They writhe upon the page
in a veritable rage
of adversity
Heaped up
groaning with babies and bayonets
under cement skies
in an abstract landscape of blasted trees
bent statues bats wings and beaks
slippery gibbets
cadavers and carnivorous cocks
and all the final hollering monsters
of the
"imagination of disaster"
they are so bloody real
it is as if they really still existed
And they do
Only the landscape is changed
They still are ranged along the roads
plagued by legionnaires
false windmills and demented roosters
They are the same people
only further from home
on freeways fifty lanes wide
on a concrete continent
spaced with bland billboards
illustrating imbecile illusions of happiness
The scene shows fewer tumbrils
but more maimed citizens
in painted cars
and they have strange license plates
and engines
that devour America
From A Coney Island of the Mind,Lawrence Ferlinghetti, New Directions Publishing Corp., New York, 1958. Goya's etching, Que Valor!, is from his folio, The Disasters of the War, published by Phaidon-Verlag, Vienna, 1933.
If you liked that poem, here's another,or you may go to Carol Jackson's wonderful fine arts home page and see Goya's work for yourself.
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